A critical study of how Iranian nationalism, itself largely influenced by Orientalist scholarship first undertaken by the European Orientalists of the nineteenth and twentieth centuries, has shaped modern conceptions of Iran and Iranian identity, as well as narratives of Iranian history, leading to the adoption of a broad nationalist construction of identity to suit Iranian political and ideological circumstances.
The scene is painful, the murderer of the people is dancing. Alongside this horrible image, patriotism and nationalism also has its own manifestation. Where the riot police are happy for Iran while they are shedding Iranian blood on the ground! He is singing the praises of the people, as if he wants to say: “I killed and I am happy to kill.” In their side, those who rebel against God’s government are not Iranians! However, this symbolic scene also announces the fall of the regime in the most pitiful way.