•
In a time when the world is blurred by the smoke and fire of wars, the exhibition of one of the most famous anti-war paintings of the 20th century—Guernica by Pablo Picasso—in Tehran is not just ironic; it’s a symbolic disaster. Guernica was created in memory of the brutal bombing of a small Spanish…
•
There’s a kind of violence that doesn’t wear a uniform, doesn’t raise its voice, and doesn’t need to spill blood to be effective. It speaks in well-published books, sits on academic panels, tweets in solidarity, and signs petitions. It insists on cultural understanding. It warns against Western arrogance. It tells you that criticizing a…
•
I have lived in Athens for eight years. Long enough to know its rhythms, and long enough to watch the word “protection” disappear. Every headline speaks of “illegal immigration,” every policy turns arrival into suspicion. The system doesn’t ask why you came—it asks how. And in that shift, survival becomes a crime. When I…
•
I still remember the first time I watched Baran. It was 2001. That film did something rare—it showed us what we already knew but refused to admit: that Afghan migrants were building our cities, stone by stone, and sleeping in their shadows. In those years, I saw the world behind the fences. I walked…
•
In late 2006, I took part in a small gathering in Sanandaj for World Children’s Day. We held signs that said children deserve education, not war—hardly a radical demand. Most of us were under 25. Some were students, some workers, some artists. We were thinking about Afghan children without access to school, about poverty,…
•
The Islamic Republic built a tool and named it the “Axis of Resistance.” For three decades, it used this label to present itself as a force against Israel and in support of Palestinian liberation. This construction was not accidental. It served a strategic purpose: to expand the regime’s regional influence under the cover of…
•
There is something about this crazy simplification. There’s no such thing as “Western values.” That clean, polished idea never really existed. The West wasn’t handed down from the sky. It was built through war, slavery, blood, and fire. Without that brutal history, it wouldn’t be what it is today. Even the Enlightenment (often praised…
•
The slogan “Woman, Life, Freedom” represents a political movement that emerged in Iran with significant implications for the entire Middle East. It was a progressive and radical moment in recent regional history. However, it cannot be understood in isolation. It must be seen as part of a broader process of civil resistance and political…
•
Photo: Refugee temporary accommodation by IOM, Athens, November 17, 2020. In Iran, when the last days of a administrative come around, they do not go out with humility. No. They celebrate. They build stages and stand behind microphones, handing each other awards and shaking hands like they just saved the country. Ministers smile into…
•
The polarization of Iranian society is intensifying. What is unfolding is not a chaotic battle of competing factions but a deliberate convergence of reactionary forces. The IRGC and monarchist groups, though seemingly at odds in ideological rhetoric, are engaged in a joint effort to eliminate political dissidents. The IRGC carries out repression through direct…
•
During the tumultuous days of the Woman, Life, Freedom movement, one absence was glaring—the Mojahedin-e Khalq (MEK), an organization that otherwise seizes every opportunity to wave its banners and flood European streets with hollow slogans. In Vienna and other European cities, where protests erupted daily, the MEK was nowhere to be found. This was…
•
I watched The Seed of the Sacred Fig by Mohammad Rasoulof at an alternative cinema in old town of Bern. They’re saying it’s up for the Best International Feature at the Oscars, and honestly, I see why. The story follows Iman, a man who’s spent 21 years serving the regime. He’s just been promoted…